Nikon D3100 Review

Review based on a production Nikon D3100, Firmware A 1.00, B 1.00, L 1.002

Nikon has developed a habit of making very attractive entry-level DSLRs, which are rarely the best specified but cleverly designed so that they’re easy and enjoyable to shoot with. The D3000 fitted this pattern perfectly, a gentle refresh of the D60 (which was itself a slightly updated D40X), it added ease-of-use features to make it a pleasant little camera to use, despite a specification that was beginning to look rather out-of-step with the rest of the market.

The D3000 sold well, despite its rather aged 10 megapixel sensor and lack of both live view and video. However, there’s only so long that clever product design and feature integration can make up for a specification that looks dated. So with this in mind, Nikon has announced the D3100 – probably the biggest refresh of its entry-level offering since it really attacked the low end market with the original D40.

The D3100 is built around a 14.2 megapixel CMOS sensor, bringing not only live view but also Full HD video capture to Nikon’s entry-level model for the first time. In fact, this made it the first Nikon DSLR to offer 1920×1080 movie recording. It can only record clips up to about ten minutes long (due to a 4Gb maximum file size limitation shared by all DSLRs), but this still counts as an impressive feature addition at this level.

The body gets a slight refresh from a basic design that essentially dates back four years to the D40, gaining an extra button to the left of the screen, a drive mode switch at the base of the mode dial, a sprung lever to engage live view and a direct record movie button. Revisions have also been made to the feature-teaching, hand-holding ‘Guide Mode’, and an additional autofocus mode that’s designed to allow better focusing in live view and autofocus during video shooting.

All of this adds up to a DSLR that incorporates all of 2010′s ‘must have’ features but looks like the product of evolution, rather than dramatic innovation. And 2010 has been a year during which the rest of the market hasn’t devloped along such predictable lines, not least during the expansion of the large sensor, mirrorless interchangable lens camera crowd.

Camera makers always try to stress that mirrorless cameras are creating an entirely new market, rather than competing with entry-level DSLRs, but it’s pretty clear that many people planning to upgrade from their point-and-shoot compact will consider both types of camera when making their decision. So, while the D3100 is unequivocally a DSLR (in a time where the line between DSLRs and mirrorless cameras is becoming increasingly hazy), its beginner-friendly guide mode puts it squarely in competition with several of the mirrorless models that are equally eager to welcome point-and-shoot upgraders.

Many of these cameras, such as Sony’s NEX-3 and 5, Olympus’ E-PL1 and Panasonic’s GF2, offer similarly accessible interfaces in a smaller, competitively-priced packages. They also, by eshewing the conventional DSLR design, are able to offer a shooting experience that is much closer to that of a compact camera – which even the best DSLR live view implementation can’t easily mimic at the moment.

So, while the D3100 offers an improved feature set when compared to a camera we really liked, it remains to be seen whether these additions will be enough to make it stand out as well as its predecessor did.

Nikon D3100 Key Features

• 14.2 megapixel DX-format CMOS sensor
• 3.0″ LCD monitor (230,000 dots)
• Image sensor cleaning (sensor shake)
• 11 AF points (with 3D tracking)
• IS0 100-3200 range (12,800 expanded)
• HD movies (1080p, 720p or WVGA)

Nikon D3100 vs D3000: Key Differences

The D3100 substantially refreshes the D3000, taking a rather outdated-looking specification and turning it into one of the most competitive in its sector.

• Higher resolution sensor (14.2MP vs. 10MP)
• Ability to shoot Raw + Fine JPEG
• Socket for connecting Nikon GP1 GPS unit
• Optional wired remote via GPS socket
• No wireless remote option
• Live view
• 1080p HD movies
• HDMI output
• Wider ISO range
• Full-time AF mode (AF-F in live view)
• Revised focus screen (different AF point illumination)

Compared to the Nikon D3000 and D5000: major feature and specification differences

As you can see from the table below the D3100′s specification not only exceeds that of its predecessor, but also in some respects that of its more expensive bigger brother.

	Nikon D3100	Nikon D3000	Nikon D5000
Sensor	• 14.2 million effective pixels • 23.1 x 15.4 mm CMOS (DX format)	• 10.2 million effective pixels • 23.6 x 15.8 mm CCD (DX format)	• 12.3 million effective pixels • 23.6 x 15.8 mm CMOS (DX format)
Image sizes	• 4608 x 3072 (14.2 MP) • 3456 x 2304 • 2304 x 1536	• 3872 x 2592 (10.0 MP) • 2896 x 1944 • 1936 x 1296	• 4288 x 2848 (12 MP) • 3216 x 2136 • 2144 x 1424
Movie mode	Yes 1080p24 720p30/25/24 424p24	No	Yes 720p24
Live View	Yes	No	Yes
Sensor cleaning	• Image Sensor Cleaning • Airflow control system • Image Dust Off reference data (optional Capture NX 2 software required)	• Image Sensor Cleaning • Airflow control system • Image Dust Off reference data (optional Capture NX 2 software required)	• Image Sensor Cleaning • Airflow control system • Image Dust Off reference data (optional Capture NX 2 software required)
Autofocus	• 11 area TTL • Nikon Multi-CAM1000	• 11 area TTL • Nikon Multi-CAM1000	• 11 area TTL • Nikon Multi-CAM1000
In-body focus motor	• No	• No	• No
AF area modes	• Single point • Dynamic area • Auto area • 3D Tracking (11-points)	• Single point • Dynamic area • Auto area • 3D Tracking (11-points)	• Single point • Dynamic area • Auto area • 3D Tracking (11-points)
AF drive mode	• AF-A • AF-S • AF-C • MF • AF-F (Live view only)	• AF-A • AF-S • AF-C • MF	• AF-A • AF-S • AF-C • MF
Live view AF modes	• Face priority • Wide area • Normal area • Subject tracking	N/A	• Face priority • Wide area • Normal area • Subject tracking
Sensitivity	• ISO 100 – 3200 • To ISO 12800 with boost	• ISO 100 – 1600 • To ISO 3200 with boost	• ISO 200 – 3200 • ISO 100-6400 with boost
Continuous	• 3 fps	• 3 fps • 25 / 7 frames (Fine JPEG / RAW)	• 4 fps • 63 / 11 frames (Fine JPEG / RAW)
Viewfinder magnification	• 0.8x	• 0.8x	• 0.78x
Viewfinder Frame coverage	• Approx. 95%	• Approx. 95%	• Approx. 95%
LCD monitor	• 3.0″ TFT LCD • 230,000 pixel TFT	• 3.0″ TFT LCD • 230,000 pixel TFT	• 2.7″ TFT LCD • 230,000 pixel TFT • Articulated
Dimensions	124 x 96 x 74.5 mm (4.9 x 3.7 x 3.0 in)	126 x 94 x 64 mm (5.0 x 3.7 x 2.5 in)	127 x 104 x 80 mm (5.0 x 4.1 x 3.1 in)
Weight	• No battery: 455 g (1.0 lb) • With battery: 505 g (1.1 lb)	• No battery: 484 g (1.1 lb) • With battery: 534 g (1.2 lb)	• No battery: 560 g (1.2 lb) • With battery: 611 g (1.3 lb)
Image processing engine	• Expeed 2 • 12 bit	• Expeed • 12 bit	• Expeed • 12 bit
Active D-lighting	On/Off	On/Off	Auto, Extra high, High, Normal, Low, or Off
Automatic chromatic aberration correction	Yes	No	Yes
In-camera retouching	• D-Lighting • Red-eye reduction • Trimming • Monochrome & filter effects • Color balance • Small picture • Image overlay • NEF (RAW) processing • Quick retouch • Straighten • Distortion control • Fisheye • Color outline • Perspective control • Miniature effect • Edit movie	• D-Lighting • Red-eye reduction • Trimming • Monochrome & filter effects • Color balance • Small picture • Image overlay • NEF (RAW) processing • Quick retouch • Color outline • Miniature effect • Stop-motion movie	• D-Lighting • Red-eye reduction • Trimming • Monochrome & filter effects • Color balance • Small picture • Image overlay • NEF (RAW) processing • Quick retouch • Straighten • Distortion control • Fisheye • Color outline • Perspective control
Bracketing	No	No	Yes

User reviews of the Nikon D3100 are also getting great marks!

New York, NY (PRWEB) October 29, 2007

Adorama Camera today posted tip number 50, marked the halfway point in “100 in 100: 100 Photography Tips in 100 Days” (http://www.adorama.com/catalog.tpl?article=100in100&op=academy_new), its ongoing series of free photography tips for snapshooters and camera enthusiasts. Started on September 10, tips are posted every day through December 18, 2007. “100 in 100″ is the latest addition to the AIRC (Adorama Imaging Resource Center), Adorama Camera’s online photo magazine.

“As we reach the halfway point in this series, is most gratifying to hear from photographers around the world who are enjoying the 100 in 100 series and seeing an improvement in their photography as a direct result,” says AIRC editor Mason Resnick. “100 in 100 is further reinforcing Adorama’s position as go-to resource for anyone who wants to learn more about photography, and as a reliable source for photographic their supplies.”

Visitors to “100 in 100″ this week will learn: How to detect and minimize DSLR sensor dust; using ISO to increase sharpness in macro photography; how to get ghost-like images when shooting flash; creating a zooming effect in Adobe Photoshop; creating a hand-colored look in digital prints; techniques for avoiding distracting backgrounds; and quick basic guide to Photoshop’s “Layers” feature.

Last week’s tips included: how to achieve sharper images by using a flash; what a histogram for an overall dark image should look like; how to create a sunshower in your backyard; the benefits of shooting on a cloudy day; how flash diffusers affect shadows; using contrasting colors in compositions; a great tool for macro photography; and how to minimize dust on an SLR sensor.

The tips are written in relatively non-technical language, so anyone can learn, no matter what experience they have. “It only takes a minute to read each day’s tip,” notes Resnick. “But based on the feedback we’ve received, many photography enthusiasts report they’re already seeing an improvement in their work based on our tips.”

Resnick is inviting bloggers and webmasters with photo-related content to link to “100 in 100,” (http://www.adorama.com/catalog.tpl?article=100in100&op=academy_new). “If you have photography-related content on your site, this will add value to it,” he notes.

Daily and weekly summaries will be available via the AIRC’s News Desk RSS feed (http://www.adorama.com/catalog.tpl?op=NewsDesk_Home).

Online photo magazine at a retail site?

AIRC – Adorama Imaging Resource Center (http://www.adorama.com/catalog.tpl?op=academy) is the choice destination for photographers at all levels of experience who want to improve their picture-taking and image-editing skills. AIRC has over 275 how-to photography articles, buying guides and picture-selling advice, as well as daily breaking news about the photography industry, written by a team of top photography experts.

Why would Adorama, a well-respected New York-based camera retailer, publish what is essentially an online photo magazine? Resnick says, “we believe the more information and knowledge we can provide, the more people will trust Adorama both as a reliable information source and as a place where they can feel comfortable buying their photographic gear.”

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Related Slr Camera News Press Releases

Fairfield, NJ (PRWEB) June 28, 2009

Electrophysics, a Sofradir Group company, has introduced a new high performance night vision module (http://www.electrophysics.com/e/nv/nv-intensifiers.html) for use with Canon full-frame digital SLR cameras such as the EOS-1Ds Mark III and EOS 5D Mark II Cameras. When used with the new AstroScope 9350EOS-FF, these digital cameras deliver bright high resolution green images of night-time scenes having a full image format and edge-to-edge sharpness. Because the night vision module fits between the camera body and SLR objective lens, all the lens electrical connections are maintained and important lens features such as optical image stabilization remain fully functional even in night vision mode, enabling the photographer on the move to realize the ultimate in low-light performance.

The new AstroScope night vision module also features variable gain control enabling the night-time photographer to increase the brightness of the images when ambient lighting is such that images are otherwise too dark to photograph. Normally, the AstroScope delivers the equivalent of 8-10 F-stops light gathering improvement. With the variable gain feature, the available light amplification is further improved. In addition, when photographing relatively well-lit night-time scenes, the gain can be minimized to reduce image noise.

Low-light applications for these high resolution digital cameras abound, where recognition and identification of scenes at night are very important to the success of image recording and surveillance applications. At the heart of the new AstroScope 9350EOS-FF Night Vision Module is a central intensification unit (CIU) that transforms dark, moonlight or starlit nights into bright, high-resolution scenes. The modules deliver optimum performance, the sharpest detail and highest quality full-frame images with no vignetting, a common problem with other night vision configurations.

The AstroScope has received praise from professionals in a myriad of industries, including professional broadcast, law enforcement and the military, as the ideal accessory for both video and photo applications. When configured with AstroScope Night Vision, the high performance Canon full-frame digital cameras give users the ability to acquire low light images with breathtaking detail, in full image frames.

Company Background

Headquartered in Fairfield, New Jersey, Electrophysics, also known as Sofradir EC, Inc., is a member of the Sofradir Group of companies since December 2008. The company develops and manufactures advanced thermal imaging, near infrared and night vision systems for use in a host of imaging applications. Since 1969, the company has maintained its focus on delivering products that reflect exceptional engineering capabilities. The Electrophysics group continues to offer a product line of scientific imaging systems, night vision modules and portable infrared inspection cameras.

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Australia (Vocus) August 19, 2010

Featuring the world’s first touch-control shooting system, Panasonic’s Lumix DMC-G2 offers a host of new features that expand upon the features of the previous Lumix G1 model. The highlight of this new model is the three-inch free-angle LCD touch-screen that provides an easy-to-use, one-of-a-kind user interface. The screen also features a full time Live View and high-speed contrast auto-focus system.

The Lumix DMC-G2, which resembles a small SLR camera, provides high-quality images in a compact, easy-to-use size with Intelligent Auto. The Lumix G2 maintains the versatility and capability of a point-and-shoot camera that consistently captures quality images without worrying about adjusting aperture and focus. The Lumix DMC-G2, the worlds smallest and lightest system camera, allows photographers of all ability levels to capture quality photographs and HD videos. With the integrated auto-focus system photographers can select a specific point-of-focus by simply touching the screen in the desired location. While in the manual operation mode aperture and shutter speed can be adjusted by simply moving the slider on the screen. In playback mode the touch-screen allows for easy scrolling and quick selection of images.

For users who are eager to learn DSLR systems the Lumix G2 offers an easy platform to bone-up on professional skills by providing manual control of shutter speed, aperture and focus. The Lumix G2 also allows users the ability to use the Lumix G2 as a point-and-shoot style camera, thanks to the Intelligent Auto. Think of the G2 as a DSLR-style camera with training wheels. This is the perfect camera for photography enthusiasts who are looking to improve their ability while still capturing great photographs.

The Lumix G2 offers a great range of features that many have come to expect from Panasonics line of Lumix cameras, including 12.1-megapixel sensor, 1,440,000 pixel resolution, and a brand new processor (the Venus Engine HD II) which improves both video and still images. Panasonic has also ratcheted up the ability of the Lumix G2′s Optical Image Stabilization creating a OIS that absorbs low-level vibrations and eliminates blurriness that results from minute movements and hand-shake.

Although the optically stabilized Lumix G2 14-42mm kit lens is handy and versatile, there are also eight different Panasonic Micro Four Thirds G series lenses for discerning photographers to choose from. The interchangeable lenses allow photographers the ability to adapt the Lumix G2 to specific shooting environments and situations. The twin lens kit is also available with the 45-200mm lens in addition.

Other features include auto-focus (either single point or tracking), and low-light focusing. The HD movie mode provides photographers with the ability to capture both still images and video images. Video images are easy to download to DVDs or Youtube with the software provided. For the discerning videographer the G2 provides 17 different movie scene movies, and shoots at 30fps. Like many digital cameras and other devices the G2 utilizes SD cards as well as the newer SDHC and SDXC varieties.

The G2 provides a versatile DSLR type camera with a broad range of abilities and features. The unique touch-screen provides an additional layer of easy-to-use interface that allows photographers of all levels to take great videos and pictures in a variety of environments. The camera body comes in 3 different colors. The Lumix G series is ideal for budding photographers who want to capture high-quality shots without having to learn the ins-and-outs of a complex camera system but also for the discerning photographer who needs a quality camera that is versatile and compact.

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New York, NY (PRWEB) November 2, 2010

Guernsey, United Kingdom, Visual Exposure LTD, a leading producer of high-end photography training tutorials, announces the release of 5 photography training Apps ready to go for the iPad, iPhone and iPod Touch. Whether a budding novice just starting out with your new Digital SLR or a seasoned professional looking to expand your business, Karls Masterclass and Pro Masterclass series will introduce the skills needed for full creative control. Photography Training subjects include basic to advanced digital SLR training, travel & landscape photography, fashion & beauty lighting and professional retouching.

View the Applcations

Based on the highly successful Karl Taylor Masterclass DVDs, photography enthusiasts and professionals now have “ready-to-go” instruction for every aspect of professional photography. From mise en scene to photo retouching, each application is packed with the secret techniques and knowledge needed to produce sophisticated professional images.

Easy to use, high production quality video guides developed by Smartphone training specialists, Netframes, the Karl Taylor application titles include:

Photography Masterclass

Introduction to Digital Photography
Travel & Landscape Photography
Advanced Digital SLR Photography

Pro Masterclass

Fashion and Beauty Lighting Secrets
Professional Retouching Secrets

Application Features

iPad, iPhone and iPod compatible
On the go video. No Wifi required after initial install for playback in the field.
Subject Search
Photo Notepad

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Brea, CA (PRWEB) May 28, 2010

The world of photography has changed drastically since it began, and now that anyone who has a digital camera can attempt to go professional, there is more and more cause for serious photographers to look at tools like the PhotoTrackr Plus, found online at: http://www.gisteq.com/plus

When you talk to professional photographers, or even serious amateurs, about camera companies youre basically talking about either Nikon or Canon. These are the top two digital SLR camera manufacturers out there today. The GiSTEQ company has now created a unique geotagging solution specifically for one of the top brands of cameras, the Nikon. This geotagging device is designed to make tagging photos that are taken on a Nikon DSLR easier, and much more enjoyable, for any camera lover.

Digital SLR cameras are much more affordable now than they have ever been before, and some professionals in the photography business estimate that within the next ten years a vast majority of camera owners will have their own DSLR, if they dont already. That is one reason why some believe that more GPS trackers and other gadgets are flooding the market now. But while some gadgets are simply silly, others, such as the PhotoTrackr Plus for Nikon, can actually help photographers to become better.

Its great that anyone who wants to experience the wonder of photography can do so, but even a consummate professional can forget where they took a specific picture, and no one wants to waste time marking where they took every photo. This device makes it quick and simple for anyone who has the right DSLR cameras to be able to geotag their photos, said Eric Liu, the President of GiSTEQ Corp.

The PhotoTrackr Plus has a number of features attached to it that both professionals and amateurs will love, and one of the most important is that it can geocode pictures taken in RAW format. Many photographers opt to shoot in RAW so that they can easily fix any exposure mistakes that are made. The PhotoTrackr Plus allows you to geotag photos in both RAW and JPEG format. The GPS data is imported directly into your photo as you take it, so no extra steps are necessary, which speeds up the processing workflow, and there is no extra software needed to run the program, simply plug and play.

One truly unique aspect of the PhotoTrackr Plus is that it is capable of geotagging photos with the last known location, so that if youre unable to access a satellite signal, the device will save the information until you are in sight of a satellite. Compatible cameras include the Nikon D200, D300, D300s, D700, D2X, D2Xs, D2Hs, D3, D3X, and Fujifilm S5Pro.

For more information, visit the GiSTEQ site at: gisteq.com/plus

New York, NY (PRWEB) October 22, 2007

Adorama Camera today started the seventh week of “100 in 100: 100 Photography Tips in 100 Days” (http://www.adorama.com/catalog.tpl?article=100in100&op=academy_new), an ongoing series of free photography tips for snapshooters and camera enthusiasts, posted every day from through December 18, 2007. “100 in 100″ is the latest addition to the AIRC (Adorama Imaging Resource Center), Adorama Camera’s online photo magazine.

This week’ visitors to 100 in 100 will learn: how to achieve sharper images by using a flash, what a histogram for an overall dark image should look like, how to create a sunshower in your backyard, the benefits of shooting on a cloudy day, how flash diffusers affect shadows, using contrasting colors in compositions, a great tool for macro photography and how to minimize dust on an SLR sensor.

Last week’s tips included: How to dynamically light autumn leaves, how to handhold your camera steadily in low light without a flash or tripod, how to shoot silhouettes, keeping fast-moving subjects sharp while showing a sense of movement, using an Adobe Photoshop feature to create a hand-colored black-and-white print look and how to work with the color yellow when composing a photograph.

The tips are written in relatively non-technical language, so anyone can learn, no matter what experience they have. “It only takes a minute to read each day’s tip,” notes 100 in 100 Editor Mason Resnick. “But based on the feedback we’ve received, many photography enthusiasts report they’re already seeing an improvement in their work based on our tips.”

“We’re thrilled with the positive response we’ve received so far,” notes AIRC editor in chief Mason Resnick. “100 in 100 is getting an excellent response and is attracting photography enthusiasts who haven’t been to Adorama or visited the AIRC before.”

Resnick is inviting bloggers and webmasters with photo-related content to link to “100 in 100,” (http://www.adorama.com/catalog.tpl?article=100in100&op=academy_new). “If you have photography-related content on your site, this will add value to it,” he notes.

Daily and weekly summaries will be available via the AIRC’s News Desk RSS feed (http://www.adorama.com/catalog.tpl?op=NewsDesk_Home).

Online photo magazine at a retail site?

AIRC — Adorama Imaging Resource Center (http://www.adorama.com/catalog.tpl?op=academy) is the choice destination for photographers at all levels of experience who want to improve their picture-taking and image-editing skills. AIRC has over 275 how-to photography articles, buying guides and picture-selling advice, as well as daily breaking news about the photography industry, written by a team of top photography experts.

Why would Adorama, a well-respected New York-based camera retailer, publish what is essentially an online photo magazine? Resnick says, “we believe the more information and knowledge we can provide, the more people will trust Adorama both as a reliable information source and as a place where they can feel comfortable buying their photographic gear.”

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Underwater SLR Camera

Great article on underwater SLR camera system.

(PRWEB) August 31, 2005

According to e-UnderwaterCamera.com, there are two types of underwater camera systems: an “amphibious” camera, which is a self-contained waterproof system, and an SLR land camera with waterproof housing. Amphibious systems are small, compact, and easy to travel with, while SLRs offer more advanced features, such as auto-focus, advanced exposure control, and through-the-lens viewing.

The “amphibious” cameras are probably best for those of you who want a simple, easy-to-use point-and-shoot camera. Amphibious systems usually have a built-in lens and they will take pictures on land as well as underwater. They also have an automatic film load and advance and are generally compact, lightweight, and rugged.

According to e-UnderwaterCamera.com, for the novice photographer, there’s a lot to learn about underwater photography. It would be a good idea to try out equipment before you buy it. Many places offer trips and classes with demo gear and instruction. Then when you do buy your underwater camera, read your instruction manual a few times, take underwater photography lessons or workshops, and Practice. Most of all, have fun!

About e-underwatercamera.com

Underwater Cameras provides detailed information on underwater cameras, including underwater digital cameras, underwater video cameras, and underwater fishing cameras, as well as underwater camera housing and cases. For more information go to http://www.e-underwatercamera.com and/or visit its sister site at http://www.e-disposablecameras.com for related information.

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Find More Slr Cameras Press Releases

New York, NY (PRWEB) August 17, 2006

In its ongoing efforts to keep photographers up-to-date on developments that could affect their abilities to take pictures and protect their valuable cameras, Adorama has just published No More Carry-Ons? (http://www.adorama.com/catalog.tpl?op=academy&article=081606&refby=press_carryon), an on-line guide to air travel photography for photographers.

Although the most restrictive carry-on rules currently affect U.K. travelers, there is a feeling among many enthusiasts and professionals that rules in the U.S. inevitably will get stricter as well, notes author and Adorama Academy Editor in Chief, Mason Resnick. Photographers who have invested thousands of dollars in their camera gear are concerned that if they are compelled, for security reasons, to check their equipment through, theres a risk that their cameras and lenses will be damaged or lost.

We want consumers to be prepared if the rules change, Resnick adds.

In No More Carry-Ons? readers are given common-sense advice on how to pack less expensive cameras in a way that best protects them from damage caused by careless luggage handling. There is also information about hard cases specially designed to carry more advanced cameras, fragile SLR systems with multiple lenses and accessories, and other electronic equipment.

The article also discusses how to deal with film-destroying X-ray machines that are used for checked-in luggage, and suggests ways to protect valuable gear with appropriate insurance.

No More Carry-Ons is part of Adoramas recently-launched Hit the Road travel photography guide (http://www.adorama.com/catalog.tpl?op=academy&article=062206&refby=press_carryon), and is part of a growing collection of articles, daily-updated news reports, and special editorial features, designed for photographers at all levels of experience, at the Adorama Academy (http://www.adorama.com/catalog.tpl?op=academy&refby=press_carryon). Other recently photography topics covered in-depth include: Landscapes, Travel Photography, Special Effects, Weddings, and Macro photography.

Online photo magazine at a retail site?

The Academy, which is quickly becoming a choice destination for photographers at all levels of experience who want to improve their picture-taking and image-editing skills, features how-to photography articles, buying guides, and breaking news about the photography industry, written by a team of top photography experts.

Why would Adorama, a well-respected New York-based camera retailer, publish what is essentially an online photo magazine? Editor Mason Resnick says, “we believe the more information and knowledge we can provide, the more people will trust Adorama both as a reliable information source and as a place where they can feel comfortable buying their photographic gear.”

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Ventura County, CA (PRWEB) September 13, 2006

Innovative aerial and location video production company and stock image agency Aeronautic Pictures has launched several new online services aimed squarely at the needs of media professionals in the digital age.

Royalty free stock video footage is fast becoming the industry standard when budget and time limitations prevent shooting in the field. Sampled on a website, it also reduces uncertainty about results and turnaround time as it eliminates the cost and delays associated with ordering window dub sample tapes.

With an initial offering of over 40 titles out of over 400 total, AeronauticPictures.com now features a keyword-searchable catalog complete with screen capture thumbnails and QuickTime previews. Producers will find expensive and hard to arrange topics covered with extraordinary quality and cost-effectiveness in standard definition and HD (high definition) editions.

Subjects include gyro stabilized day and night aerials of New York City, Los Angeles, Las Vegas, the greater Northeast and the West Coast of the United States. These are complimented by amazing aerial POV (point-of-view) scenes flying across land and through clouds. As hurricane season approaches and concern with global warming grows, there are many titles dealing with severe weather and seasonal establishing shots in the royalty free stock video footage collection.

The royalty free stock footage catalog is here: http://www.AeronauticPictures.com/royalty-free-stock-footage/

Also new is the digital camera shop where budget-conscious video camera operators, producers and digital still photographers can find a selection of leading camera brands, accessories and supplies. From digital SLR cameras with ten megapixels or more to Sony DV cameras and the latest high definition camcorders (HD), the digital camera shop brings the right tools to creative professionals working on the cutting edge of digital imagery.

The digital camera and video shop:

http://www.aeronauticpictures.com/digital-cameras/camera-store.html

After you’ve captured award-winning pictures and video there is usually one last step – post-production. Rounding out the exciting new features are the Apple Mac hardware, video editing and graphics software solutions carefully selected by media professionals for media professionals. To put the final touches on digital photographs or HD video, savvy communication professionals turn to hardware like the Apple Mac running video editing applications such as Final Cut Pro and Adobe Premiere. Of course, Photoshop remains the industry standard for photography editing and manipulation.

The computer hardware and software shop: http://www.aeronautic.net/

About Aeronautic Pictures:

Aeronautic Pictures was founded in 1981 as a still and motion picture production company with a full service photographic and moving image stock library.

For additional information contact:

Craig Schmitman

+1 805-985-2320

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